Illustration: St Nicholas Magazine, Dec 1910

Sorry for the late posting on this... we had server problems that couldn't be corrected until after the holiday.


I would like to take this opportunity to wish you Happy Holidays on behalf of all of us at the ASIFA-Hollywood Animation Archive and the Board and membership of ASIFA-Hollywood. I'd also like to thank our latest Archive Hero, Caroline Melinger, and Archive Supporter Carlos Trijueque Albarran. Thanks to their generous Christmas gifts to the Archive, we are well on our way to purchasing the collection of St Nicholas Magazines for our library. To celebrate, here are more wonderful illustrations from nearly a century ago.

















If you find this post interesting, see our previous post on Reginald Birch and St Nicholas Magazine

THANKS FOR YOUR SUPPORT
This issue of St Nicholas Magazine from December 1910 was sent to us as a sample from a larger collection. We have the opportunity to purchase a largely complete half century run of this influential magazine for our library covering the dates 1874-1930. The collection consists of 75 bound volumes, and is being offered to us at a very reasonable price. However, funding for this project is limited, and every penny goes to maintaining the facility in Burbank, hosting the website and the material and labor costs involved in operating the archive. We operate a very tight ship, but there is no slack in our operating budget. We don't have an acquisitions fund to cover costs like this.

If you think that it's important to have material like this in our collection, and you haven't donated before, please remember the Archive with a Christmas gift this year. Many thanks to those who have pitched in to help so far... Nicolas Martinez, Hardeep Kharbanda, John Stater, Amir Avni, Carlos Trijueque Albarran, and Caroline Melinger.

Stephen Worth
Director
ASIFA-Hollywood
Animation Archive
.

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Illustration: Reginald Birch and St Nicholas Magazine

Today, December 6th is St. Nicholas Day, so in celebration of this forgotten holiday, here are some amazing examples of forgotten classic illustration...


Today, we profile another artist whose name might not be familiar to you, but the characters he helped to create certainly are. I hope you'll read to the bottom of this article, because I have a very important request related to the subject of this post. -Stephen Worth

A MAGAZINE FOR CHILDREN
In 1872, Scribner's began publishing St Nicholas Magazine, a sister publication to The Century aimed at an audience between the ages of 5 and 18. As Linda Young points out in her excellent article on St Nicholas, in the late 19th and early 20th century, there was no real distinction between young children and teenagers. Children were considered children until they married or went away to college. Features "For The Little Folk" ran in St Nicholas side by side with articles on natural history or science intended for older readers. When it came to fiction, the subjects ranged from adventure stories about far-away lands to fairy tales and historical romance. St Nicholas was the premiere magazine of its type, and although it was aimed at children, it counted many adults among its readership.


But the main reason why we're interested in St Nicholas is the illustrations. Scribner's had access to many of the best artists of the day... Arthur Rackham, Harrison Cady, Maxfield Parrish, Willy Pogany, Charles Dana Gibson, Palmer Cox and Howard Pyle, among many others. But no artist was as closely associated with the look of St Nicholas as Reginald Birch.

Reginald Birch was born in 1856 in London, England. At the age of 14, he relocated to San Francisco, CA where he prepared wood block theater posters in his father's shop. In 1873, Birch attended the Royal Academy in Munich and upon his return to America, he settled in an illustrator in New York City.

Today, Birch may be forgotten, but his contribution to our American cultural identity certainly isn't. At St Nicholas Magazine Birch took the character of Santa Claus, created by Thomas Nast in the 1862 Christmas Issue of Harper's Weekly, and refined it into the jolly bearded character in the red suit that we all think of today.


1906 Christmas cover by Reginald Birch
Reginald Birch illustrated a wide variety of poems and stories for St Nicholas, but perhaps the most famous was Frances Hodgson Burnett's "Little Lord Fauntleroy". Following Burnett's vivid description, Birch created the iconic image of the precocious little boy in curls wearing a black velvet suit with lace collar. This image became the basis for the character Buster Brown, and was widely lampooned in parodies casting Burnett's wunderkind as a spoiled brat or monster child, like Eddie Munster. The image of the enfant terrible in the Buster Brown outfit has entered our cultural subconscious to the point where most of us don't even realize where it came from... but it came from Reginald Birch.


Freddie Bartholomew as Little Lord Fauntleroy
By the beginning of World War I, Birch's Victorian pen and ink style was beginning to look dated. Demand for his services began to decline, and by 1930, he was penniless. He enjoyed an "Indian Summer" as a book illustrator in the late 30s until his failing eyesight forced him to retire in 1941. He passed away in 1943.

Here is a fantastic story written by St Nicholas editor, Tudor Jenks and illustrated in the distinctive style by Reginald Birch. Notice how Birch juggles the text in the layouts, his superb draughtsmanship and control of perspective, and the expressive posing of his characters.














A REQUEST
If you have read this far in this posting, you are one of the people who regularly reads our blog and benefits from the material we post here. I have favor to ask of those of you who have not yet contributed to our project.


This volume of St Nicholas Magazine covering May to October 1889 was sent to us as a sample from a larger collection. We have the opportunity to purchase a largely complete half century run of this influential magazine for our library covering the dates 1874-1930. The collection consists of 75 bound volumes, and is being offered to us at a very reasonable price. However, funding for this project is limited, and every penny goes to maintaining the facility in Burbank, hosting the website and the material and labor costs involved in operating the archive. We operate a very tight ship, but there is no slack in our operating budget. We don't have an acquisitions fund to cover costs like this.

If you think that it's important to have material like this in our collection, and you haven't donated before, please consider making a contribution using the PayPal buttons this week. I would like to make more of this amazing magazine available to you, but I need your help.

Many thanks to those who have pitched in to help so far... Nicolas Martinez, Hardeep Kharbanda, John Stater, Amir Avni

Stephen Worth
Director
ASIFA-Hollywood
Animation Archive
.

Stumble It!