Pinups: Little Annie Fanny Takes A Trip

This post is just the tip of the iceberg... see reason number 9 on our The Top Ten Reasons To Support The A-HAA for links to more great pinup art.


Today, we continued to work our way through the collection of Playboy magazines that we have been digitizing for the past year or so. Here are two more "Little Annie Fanny" episodes from late 1960s Playboys. If you missed our previous posts on this classic series by Harvey Kurtzman and Will Elder, see the links at the bottom of this post.


The first story up features some great work by a cartoonist we recently profiled, the master caricaturist, Jack Davis. Check out his great crowd scenes on the third and fourth page. Also remarkable are Kurtzman's brilliant layouts for the first two pages (you can feel the pitch and roll of the ship!) and the Mad magazine style final bird's eye view.






The second story up is a different type of trip, with a psychedelic "op art" touch and a full page downshot crowd scene for the climax. The "Little Annie Fanny" series was probably the most elaborately drawn comic strip ever!





Check out these great "Little Annie Fanny" collections at Amazon.com!

As always, let me know in the comments if you'd like to see more about the great cartoonists of Playboy.

If you enjoyed this post, check out our articles on Kurtzman & Elder's Little Annie Fanny, More Little Annie Fannie, Kurtzman Comic Books, Biography: Jack Davis, Early Erich Sokol Cartoons, A Passel Of Sokol, and More Sokol, Jack Cole And Other Great 50s Playboy Cartoonists, Eldon Dedini Part One and Part Two (video interview!), Doug Sneyd and Phil Interlandi, Early Interlandi Playboy Cartoons and Meet Doug Sneyd.

Thanks
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive
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Biography: Jack Davis

This post is just the tip of the iceberg... see reason number 9 on our The Top Ten Reasons To Support The A-HAA for links to great cartoon and pinup art.


Will Finn, in his excellent blog small room recently posted a great article titled Using It, Losing It, and Getting It Back on the decline in drawing quality of Chuck Jones' later work for the animation art market. He offers an interesting theory that perhaps Jones' strength lay in his depiction of personality in motion, and when he chose to focus on static images, his work lost its energy. The fickle nature of the creative spirit is better discussed by artists than by archivists, so I'm not going to add to what Will has said. But I'm going to offer an example from the comic world of a similar nature... Jack Davis.

Please note that I'm focusing on Davis at his peak in this post. If you are interested in looking into how his work seems to run hot and cold, see David Apatoff's insightful article, Counting To Nine.


Jack Davis was a cartoonist from a very early age. His first published work appeared in Tip Top Comics in 1936. He was twelve years old at the time. In 1949, he packed up and moved from Atlanta to New York City, where he was hired by EC Comics to draw for The Vault of Horror and Two-Fisted Tales. At EC, Davis met Harvey Kurtzman, who liked his work and used him in Mad magazine. Kurtzman and Davis also worked together on Little Annie Fanny in Playboy. (See the links below for some examples of this terrific series...)


Davis went on to become one of the most sought-after illustrators and caricaturists in America. His caricatures of public figures appeared on the covers of Time magazine and TV Guide, as well as record covers, movie posters and bubble gum cards. Davis is currently one of the best-known and recognizable cartoonists in the world.


Here is an early Davis story from Mad magazine that shows his immense talents at their absolute best. Every panel of this comic is drop-dead brilliant!

KANE KEEN
Mad Magazine 1953










Many thanks to the talented cartoonist, Amir Avni for contributing the copy of "Son of Mad" from which this great story was scanned. Also thanks to the stalwart archive supporter Eric Graf for lending us record covers from his extensive collection to digitize.

If you enjoyed this post, check out these articles... A Passel of Sokol, Early Erich Sokol Cartoons and More Sokol, Kurtzman & Elder's Little Annie Fanny, Jack Cole And Other Great 50s Playboy Cartoonists, Eldon Dedini Part One and Part Two (video interview!), Doug Sneyd and Phil Interlandi, Early Interlandi Playboy Cartoons and Meet Doug Sneyd.

Thanks
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive

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Pinups: Jack Cole And More Great 50s Playboy Cartoonists

This post is just the tip of the iceberg... see reason number 9 on our The Top Ten Reasons To Support The A-HAA for links to more great pinup art.


Today, we continue our series of posts on the great cartoonists who worked for Playboy magazine over the years. Today, we feature artists from the late 1950s. Starting with...

JACK COLE
More than any other artist who worked at Playboy, Jack Cole was most responsible for establishing the tone and style of the single panel full page cartoons that appeared in its pages His watercolor technique was loose and free, but the overall impression was brilliantly planned out and remarkably expressive.

Born in 1914 in New Castle Pennsylvania, Cole was a self-taught artist. At age 17, he bicycled across the country to Los Angeles and sold the story of his odyssey, along with his own illustrations, to Boy's Life. After graduating from High School, he moved to New York and took up work in the comic book business. He moved up through the ranks at Harry A. Chesler, Centaur Publications and Lev Gleeson on a variety of crime and action comics. In 1940, he assisted WIll Eisner on The Spirit, ghosting the strip when Eisner was drafted during the War. He is best known though, as the creator of the Marvel superhero, Plastic Man.

In 1954, Cole began selling one panel "girlie" cartoons to various magazines, and his work caught the attention of the editors of the fledgling publication, Playboy. For the next few years, Cole's cartoons appeared in every issue, until his untimely suicide in 1958. Here are a few of Cole's beautiful watercolors from the late 1950s...







JACK DAVIS
When you think of Jack Davis, you probably think of his work with Harvey Kurtzman at Mad magazine, his covers for TV Guide, his advertising work and movie posters, and perhaps the Little Annie Fanny comics he painted for Kurtzman at Playboy. But you don't normally think of him as a one-panel cartoonist. Here's a rare example...



CHARLES W. MILLER
I don't have any info on Charles W. Miller. His tighter style is closer to the illustrators who worked for Colliers in the late 1940s than it is the washy, stylized work of Dedini, Sokol or Cole. But he was obviously a very accomplished artist- check out the sophisticated lighting in the second example for proof of that. If you know details of his biography, please post to the comments below.




AL STINE
Al Stine is still living, painting and teaching in South Carolina. In fact, he recently started doing editorial cartoons for the Anderson South Carolina Independent Mail. His masterful transparent watercolor technique really sets him apart. If you enjoy his work, drop him an email through his website- AlStine.com. It would be nice if someone out there would interview him and collect the info for our Biopedia Page.



Let me know in the comments if you'd like to see more about the great cartoonists of Playboy.

For more Playboy cartoons, see these posts... Eldon Dedini Part One and Part Two (video interview!), Erich Sokol, Kurtzman & Elder's Little Annie Fanny, Doug Sneyd and Phil Interlandi.

If you're a fan of Playboy artists like Cole, Dedini, Wilson and Sokol, you will want to get this great collection of cartoons, Playboy: 50 Years- The Cartoons. Check it out!

Thanks
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive

3.5.09
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