
Thursday, August 13, 2009
History: Clair Weeks- Pioneer of Indian Animation
This post is just the tip of the iceberg... see reason number 8 on our The Top Ten Reasons To Support The A-HAA for links to more great info on the history of animation told through the careers of great animators.

Bambi II?
Today I am presenting an interesting bit of history from the collection of Disney animator, Clair Weeks along with an exciting update since we last featured this topic. Read on for details...

I know very little about Weeks' work in India, but a scrapbook donated to the archive by his family provides some tantilizing clues. I contacted the chapter of ASIFA in India asking if they had any information on Weeks, and the Vice President of ASIFA-India, Prasad responded...
The studio Weeks helped to train some animators for was the Films Division of India (FDI). The stint of Clair's there apparently lasted for about 18 months, during which they made a film called The Banyan Deer. I spoke to Rammohan, who was one of the students in 1956, and is generally acknowledged as one of the father figures of Indian animation to get these details. Clair apparently also taught in the late sixties or early seventies at the National Institute of Design in Ahmedabad. One of the students at that point, Nina Sabnani heads the Animation Department there now.Since this article was last posted, ASIFA-Hollywood has transferred a rare 16mm film showing Weeks at work at FDI in India. It's fascinating to see behind the scenes in the earliest days of Indian animation.

Cartoon Division of FDI (FDI/1956)
(Quicktime 7 / 13.8 megs)
PLEASE NOTE The text and media files on the ASIFA-Hollywood Animation Archive Blog are not to be duplicated, redistributed or hosted on other websites without the prior written permission of the Board of Directors of ASIFA-Hollywood.
Here are some scans from Weeks' Indian scrapbook. If anyone has any information on the film or the people in the photos, let me know in the comments below and I will add it to this post.





TREND MAGAZINE ARTICLE



PRODUCTION PHOTOS

19 April, 1958: Sitting: S.L. Badami (Deputy Chief Producer), Ezra Mir (Chief Producer), Clair Weeks (Key Animator Instructor), Dr. B.V. Keskar (Union Minister for Information & Broadcasting), D.L. Kothari (Controller of Administration). Standing behind: G.K. Maharesh (Production Manager), G.K. Gokhale (Animator), S.M. Junnarkar (Editor), G.H. Saraiya (in dark pants, Director)





19 April, 1958: D.L. Kothari, Clair Weeks, Dr. B.V. Keskar, Ezra Mir. Behind: H.R. Doraiswamy (Camera Assistant), S.S. Varma (Animation Cameraman)




Many thanks to the family of Clair Weeks for sharing this important material with us, and thanks to Steve Stanchfield of Thunderbean Animation for transferring the film footage.
If you found this interesting, you'll want to check out our previous posts about material from the collection of Clair Weeks... Dispatch From Disney's Part One and Part Two, The Building Of The Disney Studios, Clair Weeks Goodbye Book, the 1938 Disney Artists Tryout Book and Clair Week's Animal Studies. Also, see... Walt Disney Goes To War, John Canemaker on Bill Tytla and Musical Timing Rediscovered.
Thanks
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive
.
Labels: rerun

































4 Comments:
wow cool
support ASIFA AAAAHHH
This is an amazing story, and I'd never even heard of Clair Weeks before. Judging from the photos, it looks like he took the entire Disney Studio concept to India and replicated it, finding talented people and giving them further training that made them even better at what they did— just like Walt Disney himself had done earlier, in the United States.
So where can we find the finished cartoon? A Google search didn't turn it up, but someone, somewhere, must have a copy.
Thanks for this, ASIFA!
Thank you for a great post. Weeks' life and career has always fascinated me and there is much too little written about him. I was not aware of his apparent stint as a teacher at the National Institute of Design in Ahmedabad, a school which has played a major role in the artistic life of India. When I was Festival Director for the Week With the Masters Animation Celebration in India in 2000-2001, by far and away the best student films submitted were from the NID and made a considerable impression on the international jurors (one of whom labeled the school one of the five best animation schools in the world).
Keep up the good work.
Wow! It's amazing to discover so many things about this guys, it's an inspiring and a wonderful work from ASIFA. I admire you and thank you for your steady and good work every day, to show us all this things.
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