Biography: Jack Davis

This post is just the tip of the iceberg... see reason number 9 on our The Top Ten Reasons To Support The A-HAA for links to great cartoon and pinup art.


Will Finn, in his excellent blog small room recently posted a great article titled Using It, Losing It, and Getting It Back on the decline in drawing quality of Chuck Jones' later work for the animation art market. He offers an interesting theory that perhaps Jones' strength lay in his depiction of personality in motion, and when he chose to focus on static images, his work lost its energy. The fickle nature of the creative spirit is better discussed by artists than by archivists, so I'm not going to add to what Will has said. But I'm going to offer an example from the comic world of a similar nature... Jack Davis.

Please note that I'm focusing on Davis at his peak in this post. If you are interested in looking into how his work seems to run hot and cold, see David Apatoff's insightful article, Counting To Nine.


Jack Davis was a cartoonist from a very early age. His first published work appeared in Tip Top Comics in 1936. He was twelve years old at the time. In 1949, he packed up and moved from Atlanta to New York City, where he was hired by EC Comics to draw for The Vault of Horror and Two-Fisted Tales. At EC, Davis met Harvey Kurtzman, who liked his work and used him in Mad magazine. Kurtzman and Davis also worked together on Little Annie Fanny in Playboy. (See the links below for some examples of this terrific series...)


Davis went on to become one of the most sought-after illustrators and caricaturists in America. His caricatures of public figures appeared on the covers of Time magazine and TV Guide, as well as record covers, movie posters and bubble gum cards. Davis is currently one of the best-known and recognizable cartoonists in the world.


Here is an early Davis story from Mad magazine that shows his immense talents at their absolute best. Every panel of this comic is drop-dead brilliant!

KANE KEEN
Mad Magazine 1953










Many thanks to the talented cartoonist, Amir Avni for contributing the copy of "Son of Mad" from which this great story was scanned. Also thanks to the stalwart archive supporter Eric Graf for lending us record covers from his extensive collection to digitize.

If you enjoyed this post, check out these articles... A Passel of Sokol, Early Erich Sokol Cartoons and More Sokol, Kurtzman & Elder's Little Annie Fanny, Jack Cole And Other Great 50s Playboy Cartoonists, Eldon Dedini Part One and Part Two (video interview!), Doug Sneyd and Phil Interlandi, Early Interlandi Playboy Cartoons and Meet Doug Sneyd.

Thanks
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive

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