Thursday, November 01, 2007
Exhibit: Grim Natwick's Scrapbook Introduction
This post is just the tip of the iceberg... see reason number 4 on our The Top Ten Reasons To Support The A-HAA for links to more great biographies of important artists.

The ASIFA-Hollywood Animation Archive is pleased to present an exhibit of material from the collection of legendary animator, Grim Natwick. If you are in the area, stop by to see the exhibit.
GRIM NATWICK'S SCRAPBOOKINTRODUCTION
Grim Natwick is undoubtedly one of the most influential animators who ever lived. His career spanned the entire history of animation- from its earliest days in New York to Richard Williams' Cobbler and the Thief in recent times. Grim worked at many of the major studios- Hearst, Fleicher, Iwerks, Disney, Lantz, UPA, Jay Ward, Melendez and Richard WIlliams. He animated in every style, but was able to maintain his own personal flavor, regardless of whether he was animating for modern studios like UPA or cartoony ones like Fleischer. If one had to define the single element that set his animation apart, it would have to be that his characters always seemed to have a genuine spark of life.


The drawings that were most precious were the gag drawings and caricatures that grew on the walls of the studios like leaves on a tree. There were also many important sketches documenting Grim's thought process- the roughs that were usually thrown in the trash after a job was completed. These are the drawings that make up this exhibit. I hope this exhibit gives you a clear idea of who Grim Natwick was as an artist and as a person. -Stephen Worth
THE ONLINE EXHIBIT CATALOG
- Introduction: Grim Natwick's Scrapbook
- Part One: Grim's Early Years In New York (Hearst/Krazy Kat/Fleischer)
- Part Two: The Golden Age of Animation (Iwerks/Disney/Lantz)
- Part Three: The Modern Era (UPA and beyond)
- Part Four: The Greatest Animator Who Ever Lived (Studio Gag Drawings and Caricatures)

Assistant Archivist, Joseph Baptista views the exhibit.
GRIM NATWICK'S SCRAPBOOK
An Exhibit Presented By The ASIFA-Hollywood Animation Archive
2114 W Burbank Bl
Burbank, CA 91506
Now Showing, Tuesday through Friday 1pm to 9pm
Follow this series of posts over the course of this coming week. I think you'll be amazed at the versitility and creativity of this great artist. Stop by and see the exhibit soon.
Many thanks to the Walter Lantz Foundation for providing the facilities for this exhibit, and to the Walt Disney Animation Research Library for providing the mattes.
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive
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Labels: disney, exhibit, fleischer, grim natwick, meta, upa, walter lantz





























5 Comments:
that drawing of the guy smoking the cigar is amazing
That's a self portrait of Grim from around 1925.
See ya
Steve
Steve,
The clip you are using with Grim talking about Ub Iwerks is from ANIMAFEASTIVAL '82, not '80.
On that one my friend Michael Gowling videotaped a special session with Grim, Shamus Culhane and Tisse David. The person asking the question is Michael Gowling.
Craig had nothing to do with this one. Please ensure that Mike gets proper credit. This was a labour of love.
Amidst Grim's estate you should have found several copies of my special book on Grim. I dropped them off to him after his birthday party.
I agree with you 100% that Grim is the greatest.
Your tribute is first rate.--Reg Hartt
Wow! Thanks, Steve! If you ever decide to write a book on this I'll buy the first copy!
Eddie,
I transcribed the talk Grim gave in Toronto in 1980 as well as the tribute the Academy of Motion Pictures Arts & Sciences gave to Grim and produced a special publication Grim of which Grim said, "Now that is the way a book on animation SHOULD look!"
Copies of it (as well as my special BOB CLAMPETT and FRIZ FRELENG BOOKS are available from myself. Included with them are the hours of dvds and cds of those talks.
They are completely unlike anything you ever experienced anywhere as this was the only times in the lives of these artists they were treated as Rembrandt, Cezanne, Matisse, Picasso might have been treated.
They met a public literate in their work which included people from all around the world.
Friz Freleng was astounded. Going in he said, "I am not going to talk for more than half an hour."
Three hours later he walked out full of fire.
When I asked Mr. Freleng up I asked if he would like a fee.
"Can I bring my wife?" he said.
I wondered what caused him to ask that question. "Of course," I told him.
"In that case there will be no fee," he said.
I found out later that the art galleries, colleges, museums, schools and universities always said they did not have enough money in their budget to cover the cost of bringing his wife. In those cases Friz said, "The fee is $10,000.00."
From him I learned that when I meet cheap people I should get expensive.
Grim celebrated his 90th birthday in Toronto in 1990.
Every year after that I found a way to celebrate his birthday getting more and more people involved as we approached 100.
I called them "the countdown to 100 birthday parties."
The year Grim turned 100 I bought the inside back cover of a special issue of ANIMATION WORLD to let the whole world know he had hit the mark.
He was a very special friend who inspired me as few have done.
He had the same effect on Stave Worth and a great many others.
Another gift I got from Grim was meeting Mrs. French. Anyone who knew her knew how much she devoted herself to Grim.
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