Cartooning: Byrnes' Complete Guide To Cartooning Part Four

This post is just the tip of the iceberg... see reason number 8 on our The Top Ten Reasons To Support The A-HAA for links to more great info on the history of animation told through the careers of great animators.



EDITORIAL CARTOONS AND COMIC BOOKS
We continue with the section on editorial cartoons and comic books from Gene Byrnes' Complete Guide To Cartooning. This installment features a gallery of Pulitzer Prize winning editorial cartoons, features on C. D. Batchelor and Bill Crawford, and a cursory look at how comic books were edited.

EDITORIAL CARTOONING
By C. D. Batchelor
Clarence Daniel Batchelor started as a staff cartoonist at the Kansas City Star. He worked as a freelance illustrator for a time before joining the New York Daily News in 1931. He worked there for 38 years as an editorial cartoonist, He won the Pulitzer Prize in 1937 for the accompanying cartoon of a young man labelled "Any European Youth" being propositioned by a skull faced whore representing war, captioned... "Come on in, I'll treat you right! I used to know your Daddy." (Click on the image to see at a larger size.)








WILLIAM CRAWFORD

As I went to Google to research this blurb on editorial cartoonist Bill Crawford, the first listing I found was a short article in today's New York Times. Sadly, Crawford passed away yesterday of pneumonia at age 68.

Crawford was a master of the medium. He was awarded the National Cartoonists Society awards for best editorial cartoon of 1956, 1957, 1958 and 1966; he was awarded the Silver T-Square Award in 1977; and he served as president of the organization in 1960. His cartoons first appeared in the Newark News, and later were syndicated to over 700 newspapers around the country. He is survived by his wife, Claire, as well as a son and daughter.




COMICS MAGAZINES
By Whitney Ellsworth
Whitney Ellsworth started out as an assistant artist at King Features, working on strips like Dumb Dora and Tilly the Toiler. He was chief editor at DC Comics during the golden age of Superman, Batman, The Spectre, and The Green Arrow- but Superman was the series he was most closely involved in. Ellsworth wrote many of the story outlines for the comic books, and in the early 50s, he wrote the pilot episode of the Superman TV serial, Superman Meets The Mole Men. He retired in 1970.





It's interesting to compare the editorial script to the finished artwork provided here. The only thing the artist used was the basic situations, a few details and the dialogue. The staging of the panels and the pacing of the action from panel to panel had to be completely reworked to function visually. It's surprising that Byrnes gives this section on comic books such short shrift. Ellsworth focuses on the technical and editorial aspects of the comic book business, and barely mentions the artists who actually create them. Perhaps if Byrnes had gotten Joe Shuster, Bob Kane or Jack Kirby to write this section, it would have been a different story.

Many thanks to Marc Crisafulli and David King for sharing this great book with us.

If you found this post to be interesting, see... Gene Byrnes' Complete Guide To Cartooning Part One: The Men Behind The Newspaper Comics, Part Two: How To Get Ideas / Studies of Comic Strips and Part Three: Single Panel and Sports Cartoonists

Also see... Nat Falk's "How To Make Animated Cartoons" Part One: The History of Animation, Part Two: The Cartoon Studios, Part Three: How Cartoons Are Made, Part Four: How To Draw Cartoons and Part Five: How To Animate. Also, see... Willard Mullen on Animals.

Thanks
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive

Stumble It!