Click To Find Out
Click To Find Out
Donate!BOOKMARK our Homepage!
VOLUNTEERASIFACONTRIBUTEASIFAEXPLORE
LINK TO USASIFAJOIN ASIFAASIFAThanks!

Tuesday, February 06, 2007

History: Disney's Artist Tryout Book

This post is just the tip of the iceberg... see reason number 8 on our The Top Ten Reasons To Support The A-HAA for links to more great info on the history of animation told through the careers of great animators.

Disney Artist Tryout Book
Today, we scanned another fascinating document from the collection of Clair Weeks. This is the "Disney Studios Artist's Tryout Book" from 1938. It provides a valuable overview of the production process and description of the various job categories. You will definitely want to print this out and study it carefully.

Here are some quotes from this booklet that you might find interesting...
STORY MEN must be able to draw. The stories are not written but are visualized in sketch form.

The value of an animator is dependent upon his ability to dramatize and caricature life, and to time and stage his characters' actions in an unusual and interesting way. An animator must be a showman- he must know how to entertain an audience, to present a gag, to picture dramatically an ordinary incident. Above all, he must be a sure and skillful draftsman.

THE DIRECTOR must have complete knowledge of every phase of animation, have executive ability and outstanding dramatic talent. He must be familiar with practically all of the Arts... To date, all directors have arisen from the ranks of the Studio, sometimes through story work, but more often through animation. Because of the complexity of animation it seems that this will continue to be the case.

All inking and painting of celluloids, and all tracing done in the Studio is perfomed exclusively by a large staff of girls known as Inkers and Painters... This is the only department in the Disney Studio open to women artists.
Disney Artist Tryout Book
The original brochure was in very poor condition, with tears and waterstains throughout. I'm sure that this was carried around in Weeks' back pocket for quite a while. But Photoshop can work miracles, so these scans ended up looking better than the original.

In case you haven't noticed, the Archive has become "an embarassment of riches". We are doing very important work here. I hope you will support our project any way you can.

Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
Disney Artists Tryout Book
If you found this useful, you'll also want to check out... Walt Disney Goes To War, John Canemaker on Bill Tytla and Musical Timing Rediscovered.

Jerry Beck posted a related booklet at Cartoon Brew... Titled "The Ropes At Disney", it outlines the rules and regulations governing the employees of the studio and the organizational hierarchy of the various departments.

Ropes At Disney

If you haven't seen it yet, make a point of checking it out.

Thanks
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive

12.11.08
.

Labels: , , , , ,

StumbleUpon Toolbar Stumble It!

4 Comments:

At 10:40 AM, Blogger W. K. Moore said...

Thanks again Stephen for pointing out the importance of DRAWING and its connection to the animation business. I find it hard to believe that business people in an animation endeavor would attempt to discount, minimize, or cut out completely the importance of drawing. It's like a carpenter who tries to build a house without nails. Perhaps because drawing requires dedication and is difficult to master, these studio "deciders" try to cut corners and find a cheaper and more expedient solution. When I go to a doctor I want them to have mastered the basics of medicine.. In the same way I would imagine studio producers would expect their animation people to have mastered the basics of drawing. Rant over.........

 
At 10:41 AM, Blogger akira said...

Wow that's so cool! i love the chart that shows walt runnin things.
thanks asifa!

 
At 8:54 AM, Blogger Howard said...

When I was a student at Ringling in the late 1980s, Disney was heavily recruiting for its animation intership program. Oddly enough, problems #1 and #3 from the list on page 28 were still an assignment.

 
At 8:36 AM, Blogger Ken said...

I am trying to locate information regarding an artist that worked for Walt Disney in the 1940-42 time frame. He visited New Zealand in '42 and drew to cartoons that featured my mother who was at the time a Red Cross nurse there for the American soldiers recouping there. His name was M. McGuire. Can I find out information about him? Help please.

Ken Knapp

 

Post a Comment

Links to this post:

Create a Link

<< Home