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Wednesday, September 13, 2006

Biography: Berny Wolf (1911-2006)

This post is just the tip of the iceberg... see reason number 8 on our The Top Ten Reasons To Support The A-HAA for links to more great info on the careers of great animators.

Berny Wolf at IwerksBerny Wolf holds up a model sheet he created
along with Grim Natwick for an Iwerks Willie Whopper
cartoon. (See Al Eugster's Photo Album)

We received the sad news today that veteran animator, Berny Wolf passed away a few days ago at the age of 95. Berny was a real gentleman, and his career spanned the entire history of animation... from Fleischer, where he rotoscoped Cab Calloway as a ghostly walrus for "Minnie the Moocher"; to Iwerks, where he designed characters and animated on Willie Whopper and Comicolor cartoons; to Disney, where he animated on Pinocchio, Fantasia and Dumbo. In the TV era, Berny was a mainstay at Hanna Barbera and FilmRoman, continuing to work into his 80s.

Here are some model sheets Berny created along with Grim Natwick at Iwerks...

Berny Wolf Model Sheet
Berny Wolf Model Sheet
Berny Wolf Model Sheet
Berny Wolf Model Sheet

In this thread at Animation Nation, Ben Burgess mentioned that Berny animated the scene of Jimminy Cricket on the seahorse in Pinocchio. I had a drawing from that scene hanging in our current Exhibit of Disney Drawings and didn't even realize that it was from one of Berny's scenes...

Berny Wolf Jimminy Cricket

Perhaps Berny's most famous scene is one he animated when he was just 21 years old... the ghostly walrus from the Fleischer Betty Boop cartoon, "Minnie the Moocher". Dave Fleischer assigned Berny to rotoscope footage of Cab Calloway. He told me that he did the work at Max Fleischer's original rotoscope rig- the one on which they had rotoscoped Ko-Ko the Clown many years earlier. The rotoscope machine was made from an old camera stand, and it stood in a dark, dusty corner of the camera room. For a week, Berny sat alone in the corner, perched on a high stool rotoscoping Cab Calloway. Here is the film...

Minnie the Moocher

Minnie the Moocher (Fleischer/1932)
(Quicktime 7 / 17 megs)

PLEASE NOTE The text and media files on the ASIFA-Hollywood Animation Archive Blog are not to be duplicated, redistributed or hosted on other websites without the prior written permission of the Board of Directors of ASIFA-Hollywood.

Berny was a quiet, unassuming man. Perhaps that is why many people today are unaware of his importance to the history of animation. He was the quintessential East coast animator until the end, often attending important meetings in an impeccable pinstripe three piece suit, complete with a watch chain and white carnation in the lapel. ASIFA-Hollywood offers its condolences to the family of Berny Wolf. He will be missed by all who had the honor to know him.

COMMENTS

On behalf of my father, I want to say a heartfelt thank you for being so interested in his work and his life. You cannot imagine what it has meant for our family to see his name in print with all the wonderful comments. I can forward photos of him in the past and at his 94th birthday if you like. He was very shy and did not like having photos taken.

Sincerely,
Lauren Wolf-Purcell

Please do send the photos. We're building a digital archive of information on the lives of great animators. If you have anything you would allow us to digitize to represent your father in our collection, please let us know. -Stephen Worth, Director

Read Mark Kausler's overview of Berny's career at Cartoon Brew

Mark Evanier's remembrances.

Ernesto Pfluger's Spanish obit

Stephen Worth
Director
ASIFA-Hollywood
Animation Archive

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4 Comments:

At 11:47 PM, Blogger k9_kaos said...

I love this cartoon! I don't know why these Fleischer shorts are so obscure; if it weren't for you guys, barely anyone would have heard of them. Thanks for posting! I love that scene with the mother cat and her kittens. I wish they made cartoons as cool as this one nowadays!
I've always wondered if the walrus' dancing was based on footage of a real person. Was the scene in that other Fleischer cartoon Snow White where Koko sings and dances also rotoscoped by Berny Wolf?

P.S. Was this cartoon banned for some reason? I've heard elsewhere on the internet that it was, but never knew why. The only thing I can think of is that maybe some people objected to the personalities of Betty's parents.

 
At 1:22 AM, Blogger Stephen Worth said...

The roto in Betty Boop in Snow White was done by Doc Crandall, I believe. I haven't heard of this cartoon being banned, but all Fleischer cartoons are hard to find right now.

Thanks
Stephen Worth
Director

 
At 7:34 AM, Anonymous David Nethery said...

Stephen,

I posted this over on Mark Mayerson's blog under his discussion of Berny Wolf's animation in "Mickey's Birthday Party" , but I thought I'd re-post it here .

I read in one or two of the obits for Berny that he had retired from animation around 1985, but I met him briefly in 1990 or '91 when I was animating at the Baer Animation Co. on Cahuenga and Berny came in to pick up some freelance animation on a commercial. So, he was working at least up until the early 90's . What I posted on Mark's blog said that I thought Berny had been working as a director over at Hanna-Barbera (which was up the street from Baer's) , but from what I've read recently it seems that he may have actually been with Film Roman at the time. (which makes sense because we were also animating several sequences of Film Roman's "Tom & Jerry: The Movie" during that period, in addition to the regular slate of commercials we did at Baer's.)

Here's what I had posted on Mark Mayerson's blog:

I was fortunate to meet Berny Wolf, around 1990 when I was working on animated commercials at Baer Animation, which at that time was up the street from H-B where I think Berny had been working lately. One day Dale Baer told me that Berny Wolf was coming in to pick up some freelance on a commercial we were starting on. If memory serves it was originally going to be Ray Patterson who was picking up that work (Ray's daughter Kim worked at Baer Animation as an Animation Checker), but then something came up and Ray didn't have time to do it, so Berny came on to do the job. (both Ray Patterson and Berny Wolf were by that time being credited at Producer/Director's at Hanna-Barbera, but I guess both of them didn't turn up their nose at getting a little freelance animation on the side now and then... and I think production work had sort of slowed down at H-B or wherever he was working at that time, maybe it was Film Roman ...) Anyway, I was so excited --animation geek fan-boy that I was and still am -- that a guy like Berny Wolf, who animated on Pinocchio, Fantasia, and Dumbo, etc., was going to be animating on one of the same commercials I was working on. Not long before that I had found a magazine article about the making of Pinocchio (in Film Comment or one of those types of mags) which had a Kodachrome photo of Berny Wolf at his animation desk in 1940, drawing Jiminy Cricket . I made sure I brought it in for Mr. Wolf to autograph for me. He only did a couple of scenes on that commercial until apparently work picked up again at H-B and I never saw him after that.

And dang-it ! wouldn't you know that sometime over the years since then I've lost that Pinocchio article with his autographed photo. :-(


So, that's what I remember about Berny Wolf. In any case, the man had a long and significant career in animation and I'm glad that he's getting some recognition for it .

 
At 7:39 AM, Anonymous David Nethery said...

By the way, Stephen, I just sent you guys a donation via PayPal. I'd like the donation to be In Memory of Berny Wolf.

This site is a a great project and worth supporting. I hope everyone who reads this blog on a regular basis will consider making at least one annual donation to keep the Archive going . Your work is so important. Thank you for what you guys are doing.

 

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