Thursday, April 13, 2006
Media: Milt Stein's Supermouse Comics No 4
This post is just the tip of the iceberg... see reason number 2 on our The Top Ten Reasons To Support The A-HAA for links to more great posts about comics.

Many incredibly talented artists worked in funny animal comics... some, like Kurtzman and Frazetta, went on to fame in other genres. Yet the only artist working in this field that most people are familiar with is Carl Barks. Uncle Scrooge comics are fine, but they're just the tip of the iceberg. In the 1940s and 50s, there was a wealth of funny animal comics all drawn in completely unique styles. I have to admit that comics aren't my strong suit, but when I see a comic like this one, I want to know more about the people responsible for them.
Here is Supermouse Comics number 4, drawn by Milt Stein. Little is known about Stein's career. Tom Sito points out that he was an animator at Famous for a time, and he worked on Tubby the Tuba for Dr. Alexander Shure's Westbury Long Island Company, the tradtional forerunner of NY Tech's Computer Animation Program. He committed suicide in 1977. Milton Knight adds, that Stein "animated some very expressive scenes at Terry in the early 40s (the girl mouse puppet in Down With Cats). And in the 60s, he animated the humorous characters on an independent TV pilot that Jerry Beck likes to include in his "Worst" ASIFA shows, titled Cosmic Raymond. I think Stein was one of the most neglected artists of all time; and he drew far better than Barks!"
If anyone else with expertise in this area are reading, please post what you know about Stein into the comments field and I'll add your info to this post too.
















Thanks to Kent Butterworth for donating these scans to the Archive.
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive





























5 Comments:
Hi Steve
I don't know anything about Milt Stein except that I love his comics!
I use them to teach young artists about design and composition.
I'd love to know where he came from. It looks like he must have been an animator.
Milt Stein definitely worked in animation at the New York studios. I worked with him in 1976 on a really bad TV special called Days of Liberty, celebrating the American bicentennial. It appeared that Milt had a problem with alcohol and I know that he passed away in 1977.
Days of Liberty was bad, but Milt's drawing and animation for it was quite good.
Eeegads this is great stuff Steve!
Thanks again for sharing some of the best work from one of my favorite genres of comics - Funny animals.
Milton Stein's Supermouse is always a visual delight and full of all sorts of well drawn wacky-ness.
That alien and skunk-thing are so imaginative and yet solidly drawn. Amazing.
If you want to know more about Supermouse you might also want to get in touch with Shane Glines. As I'm sure you know from his cartoon-retro site he has a good amount of Stein's supermouse comics and may know some more about his background and other work.
Very impressive, if not tragic. I hope that Milt knew how special he was. How many layers of meaning were there in those scenes? Many.
Thanks for sharing this.
A few times, during my childhood, I got my hands on a comic book that I knew wasn't a "kid's" comic book, in the sense that I could see an underlying message.
I may not have understood it, but I saw it.
Bless you, Milt. Come back again, someday.
Milt was a terrific animator and cartoonist.
I had the honor and privilege of being his main assistant (and assistant to the three Georges: Rufle, Germinetti and Cannata) on 'Return to Oz' NBC TV special, produced at Crawley Films, Ottawa (1963/64).
It was the first mainstream TV animated project I'd ever worked on. With typical brashness of callow youth, on our first day to work together, I asked him what other cartoon work he'd done.
He mentioned a ton of stuff. I asked if he'd ever drawn comics, and I flipped out (he named many), but especially when he casually added he'd drawn 'Mary Jane and Sniffles'.
That comic was an added section for youngsters within a main comic book title (I forget which, might have been Captain Marvel; anyone know?)
It had been my favorite comic when I was knee-high to a 'B' pencil. MJ & S were beautifully drawn like Supermouse-- in fact there are similarities between Supermouse and Sniffles Mouse, the latter for very young comic readers.
Milt's animation was so wild and sloppy it was all over the place; a challenge to clean up and in-between, but when his animation hit the screen the characters were ALIVE !!
Thanks for the update on where he went and what he did after 'Return to Oz'.
A terrific person and great animator and cartoonist.
Post a Comment
Links to this post:
Create a Link
<< Home