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Wednesday, April 12, 2006

Media: Milt Gross' Cartoon Tour of New York

This post is just the tip of the iceberg... see reason number 2 on our The Top Ten Reasons To Support The A-HAA for links to more great posts about print cartoonists.

Milt Gross
Milt GrossMilt GrossIt's especially gratifying when an animation professional stumbles across this blog and immediately grasps what it is we're doing and how important it is to the art of animation. A while back, animation director, Kent Butterworth (www.attilatheham.com) was doing a web search for Ralph Bakshi and found our post on Ralph's Phone Doodles. Kent was excited by what he saw and bounced around the site, discovering that the archive is located less than a mile from his home. It was a Tuesday afternoon, so he jumped in the car and came right over to see what we were doing. I gave him the tour and explained how the database we are building is intended to work, and he was behind the concept 100 percent. On Thursday he was back, with a stack of books and comics to allow us to digitize.

Kent's collection is amazing, and the scope is huge. He brought a hard drive full of scans of vintage comic books by dozens of great artists, 40s Colliers magazines with Virgil Partch cartoons, original Sunday pages by Cliff Sterrett, and a book I've never seen before... Milt Gross' Cartoon Tour of New York.

Milt GrossMilt GrossMilt Gross is one of the greatest comic artists who ever lived. His books Nize Baby, He Done Her Wrong and Dunt Esk are classics of ethnic New York humor. His drawing style is direct and funny with absolutely flawless staging, composition and expression. Gross's Cartoon Tour of New York was published as a program guide for tourists visiting the 1939 New York World's Fair, and it's an amazing time capsule into life in the "big apple" in its golden age. If Weegee's Naked City depicts the front page view of this marvellous time and place, Gross' Cartoon Tour tells the Funny Pages version.

A lot of this book appears to have been drawn by Milt Gross' assistant, but there's still plenty of joy in ever panel. Here are scans of the entire book. Enjoy!

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Many thanks to Kent Butterworth for sharing this great book with us!

For more Milt Gross cartoon goodness, see... Milt Gross Sunday Pages and Dailies Part One, Part Two, Part Three, Part Four, Part Five, Part Six and Part Seven. Also see... Chic Young's Blondie, Rube Goldberg's Side Show; George Lichty's Grin and Bear It, Cliff Sterrett's Polly & Her Pals Part One, Part Two and Part Three; and Harrison Cady's Birds' Eye Views

Thanks
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive

6.28.08
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16 Comments:

At 4:58 AM, Blogger Duck Dodgers said...

Mr. Worth,
could you post about Gross' two MGM cartoons?

 
At 6:48 AM, Blogger Clarke (Csnyde) said...

Great Post Steve!

Big thanks to Kent for lending all of this great material to the archive.

I too would love the chance to see any examples of the animated cartoons that Gross worked on over his years.

 
At 1:08 PM, Anonymous Tom said...

Great find!!! But...the enlarged scans are awfully grainy, making the lettering difficult to read. And it severely degrades the quality of the animation. Please re-try and notify me at groucho2@yahoo.com...or the editor of metafilter.com (where I found the link). Thanks! Tom

 
At 1:18 PM, Blogger Stephen Worth said...

I'm afraid there's a limit to the resolution that we can post online. This book has a lot of tiny details that really require close up viewing, but I'm limiting my images to no more than 800 pixels square. I want the images in the blog to be useful for web browsing, so I don't want the viewer to have to scroll to see the whole composition.

This book has been scanned at 1200 dots per inch, and the full resolution images are available for viewing any time during office hours at the ASIFA-Hollywood Animation Archive in Burbank, CA. If you are ever in the area, stop by and you can see every pen stroke. They're all good in this book!

Thanks
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive

 
At 1:39 PM, Anonymous Michael Sporn said...

Thank you for these great images. Please, any more Milt Gross pieces - post them. I can't get enough; the guy's work was brilliant. The shorts he did at MGM were hilarious.

 
At 2:29 PM, Blogger Brother Rabbit said...

I watch History channel regularly. I watch Discovery channel regularly. I watch PBS regularly...

Steve, the history you guys dig up on the animation archive blows them away in my book.

Thanks to Kent Butterworth for finding and maintaining this great collection.
* And for searching out Ralph Bakshi. Don't forget to check out the Bakshi site www.ralphbakshi.com *

Thanks Again For All the Work,

Brother Rabbit/Jeramy Bray

 
At 2:54 PM, Blogger Marc Deckter said...

Thank You Kent Butterworth!

 
At 3:07 PM, Anonymous Anonymous said...

Mr Gross did more than 2 animated films. See http://www.imdb.com/name/nm0343456/ for details

 
At 2:15 AM, Blogger noboruwatanabebop said...

Highly amusing -- thank you! I'm so glad you took the trouble to share this with us. Wouldn't it be fun to take an afternoon's stroll in that world?

 
At 2:30 AM, Blogger Marc Crisafulli said...

Beautiful, Steve! Thanks!

 
At 8:04 AM, Anonymous Anonymous said...

It's good to see so many fans of Milt Gross are out there! I have a theory about drawing as Performance vs drawing as Composition - and Milt Gross is the ultimate Performer - his figures of Pop are spontaneous expressions of pure joy; He's having a great time! But Milt Gross also understands drawing as Composition: the wacky figures of Pop are placed in an environment - Gross understands perspective, even when he exaggerates the heck out of it - Pop is dancing outside the nightclub in Harlem, but we see that there is stuff going on across the street and uptown - The picture is composed around Pop & the kids dancing, with the Uptown Swells in the foreground framing the shot, and there are just enough visual "perspective" cues so that the viewer gets the feeling of depth in the shot - it looks like Gross just whipped the drawing out with no thought - but it's perfectly composed - Just brilliant! Gross is a Performer as he draws his characters "acting" and then he's a Composer, designing the scene so the viewer "gets" the message immediately (but then there's more details here and there if you take the time to look for them) I don't think Gross (or any other really good artist) thought consciously about Composition vs Performance - it's a kind of Apollonian/Dionysian polarity thing, where everyone has both aspects - the Artist combines the two in the act of creation and it "just happens".

Kent B

 
At 1:24 PM, Blogger Count Screwloose said...

What a public service for Gross fans! Thanks for making this available.

They don't make 'em like Milt any more.

RG

 
At 11:35 AM, Blogger william wray said...

What a find. I've never seen the New York book either. Good old Kent! thaks for post it!

 
At 2:45 AM, Blogger uilli said...

Please what about the dimensions of the original comic book? Thanks!

 
At 9:22 AM, Blogger Stephen Worth said...

It's about 7 by 9 inches.

See ya
Steve

 
At 8:14 AM, Blogger uilli said...

Thank you very much, Steve! William

 

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