Wednesday, January 04, 2006
Filmography: Al Falfa in Pink Elephants
This post is just the tip of the iceberg... see reason number 7 on our The Top Ten Reasons To Support The A-HAA for links to more great cartoons to study.
It's easy to think that the cartoons we see on television and home video are pretty much all that exist. But even the most seasoned "cartoon buff" will admit that there are whole chunks of animation history that fans have never had the opportunity to see. Foremost among these forgotten films are the B&W cartoons from the Paul Terry Studios.

Back in the day, Paul Terry was the acknowledged "Dean of American Animation". He was one of the earliest pioneers of the animation business, and his studio remained intact well into the TV era. So it's ironic that Terrytoons have become the most misunderstood and least appreciated cartoons today.

When the first few animation histories were being written in the late 1970s, only a handful of Terrytoons were syndicated on television. They weren't well presented, and the titles in circulation didn't fairly represent the quality and depth of the studio's output. Critics tended to unfairly dismiss Terry as a third-rate studio, because they were comparing the handful of Heckle and Jeckyl and Mighty Mouse cartoons in TV circulation to the entire output of the Disney and Warner Bros studios. While other studios enjoyed popular revivals in the 80s through home video releases, the Terry cartoons remained on the shelf gathering dust. Today, most people only know these cartoons as dim memories from seeing them on TV as a child, or through the short shrift they receive in books and articles on animation history.

Film collectors, however know the real story. The Terry cartoon library was marketed extensively in the home movie market. A huge proportion of the studio's output still exists on 16mm films, traded among collectors. Serious film collectors have catalogued, preserved and digitized these films to prevent them from being forgotten forever. The ASIFA-Hollywood Animation Archive is fortunate enough to have received a donation which included many of these rare films from film collector Mark Kausler and animation historian Jerry Beck.

These cartoons may never be available for syndication or home video again. But they are available for viewing at the ASIFA-Hollywood Animation Archive in Burbank. As an example of the undiscovered gems included in this donation, we present "Pink Elephants", a Farmer Al Falfa cartoon produced in 1937. This cartoon has not been seen in nearly fifty years.

The original 35mm camera negatives of the Terrytoons were recently donated to the UCLA Film & Television Archives. However, funding to preserve these cartoons is short and there's a lot of material to be restored. If you would like to contribute to "Adopt A Cartoon", please see the ASIFA-Hollywood Animation Preservation page.

The animation in this short is very interesting. It's timed with snaps from pose to pose very much like a Flash cartoon. The quality of the drawings overcomes the relatively small drawing count. There are several scenes in this film that are masterfully posed, with clear silhouettes and funny expressions. Check it out...
Paul Terry's "Pink Elephants"
(Quicktime 7 / 12 MB)
We have a good strong server, but we occasionally experience traffic spikes. If the movie doesn't stream smoothly, please bookmark us and check back later. It should be back to normal in a day or two. In the meantime, there's a LOT more low bandwidth info of interest to look at on this site. Visit the Archive Homepage, or click on MEDIA in the masthead above for galleries of amazing sketches...

If you would like to see more Terrytoons, stop by the ASIFA-Hollywood Animation Archive during office hours. Thanks again to Mark Kausler and Jerry Beck for their generosity.
PLEASE NOTE The text and media files on the ASIFA-Hollywood Animation Archive Blog are not to be duplicated, redistributed or hosted on other websites without the prior written permission of the Board of Directors of ASIFA-Hollywood.
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive





























12 Comments:
maybe i'm forcing this memory, but i could have sworn i've seen this cartoon before. or maybe it's a childhood mixture of another farmer alfalfa cartoon and some heffalumps in my head. i just wish that we could still enjoy the classics like this. the closest i've gotten in the past ten years is chrismas eve 2004 between midnight and four a.m. i watched "a very smurfy christmas," "casper's first chrismas," and a couple other old cartoons, but none like the ones i used to enjoy when they still played the good old merry melodies, etc. so thanks.
This does look uncannily similar to Disney's "Pink Elephants on parade" segment in Dumbo. I assume the concept of food- and drink-induced hallucinations in the form of light-colored tachyderms has been around for a while, though.
I have grown nostalgic for the classic "Merry Melody"-type cartoons we used to watch as children. I recently have purchased several collections of old cartoons, many of them from the 30's and 40's. While most are great fun to watch (and have great music scores), many of them are seriously out of step with modern sensibilities. Civil rights, both for people of color and women, are routinely violated in many of these older cartoons. Socially-inappropriate stero-types are frequently employed. I would encourage enthusists to exercise responsibility when sharing these with younger viewers. Impressions of social norms made during a child's formative years may become indelible; it is important that these images be considered collectibles for adults. What a shame that today's children are exposed to many "battle-based" (anime, etc) stories with "morals" and the classic "Melody" format is not available. I agree that children need education, but everyone needs a break with pure entertainment as well.
It seems as if there's a bit of the cartoon missing - the opening scene shows the goat eating the fenders off the car, then immediately switches to nightime, and an obviously intoxicated goat. I'm thinking the original sequence had the goat finding the farmer's moonshine stash - else why all the pink elephants? Also, do we know who's singing the great call-and-response music? It sounds like the middle of "Minnie the Moocher", or something similar.
It's definitely missing the continuity between fender gluttony and intoxication. Also, wouyldn't this have been in color by this late date? Did the cartoonist expect us to take his word for it that the elephants were really pink?
It's definitely missing the continuity between fender gluttony and intoxication. Also, wouyldn't this have been in color by this late date? Did the cartoonist expect us to take his word for it that the elephants were really pink?
Paul Terry was one of the last studios to go all color. This cartoon was definitely originally produced in B&W. The cut in the beginning was probably done in the late 40s or early 50s. This print was released as a home movie, the precursor of home video. Footage was often cut to keep the reels a uniform length. The original negative is most likely still complete, but no new prints have been struck off of this material since the early 1950s.
Thanks
Steve
History and legacy are important, and so I'm glad to see old Terrytoons being restored and preserved. So please, do not take this as a criticism at all. I'm deeply appreciative of you guys' work.
That said? Terrytoons were pretty close to the bottom of the barrel in terms of quality, innovation, and style in their era, and the characters they produced among the least memorable and interesting in history. Mighty Mouse, Heckle and Jeckle, and Deputy Dawg are the only ones anyone remembers at all, and they were mostly from the studio's later low-budget color era.
If it matters, if people are taking votes at all, I'd love to see more historically relevant and interesting cartoons being released this way. Ub Iwerks Studios, for example, was also derivative but he was an important and influential early animation innovator. Or some of the Felix material from Sullivan and Messmer, if it's available at all. Those old silent cartoons are almost never seen but Felix was once the most famous cartoon on Earth...
Walt Disney was quoted as saying that when he created Mickey Mouse, his goal was to produce cartoons that matched the high quality of the Paul Terry cartoons. He wasn't being funny or ironic there... he was totally serious.
Terry's cartoons of the mid to late 20s were the best being produced at the time from both a creative and technical standpoint. Terry was slow to adopt sound and color, which put his studio at a disadvantage business-wise, but that doesn't mean that the films themselves are bad. Terry had a great team of animators over the years, including Bill Tytla, Connie Rasinski, Carlo Vinci and the incomparable Jim Tyer.
Tyer alone is enough to make a Terry cartoon a "must see". He was one in a million... one of the four or five most innovative animators who ever worked in the industry. As time goes by, I'll be featuring his work here.
Maltin quotes Paul Terry as saying, "If Disney is the Tiffany of animation, I'm the Woolworths." But he misinterprets what Terry meant by that... He didn't mean that his studio was cheap... He meant that Disney saw itself as being "highbrow", with artsy Silly Symphonies and very mild humor designed for "refined audiences".
Terry himself was aiming at a different audience. His films were designed not to impress, but to entertain the common working man. Like the Three Stooges, early Our Gang and the Warner Bros gangster films, Terry accomplished that goal quite neatly.
It's common to bag on Terry, calling them the "bottom of the barrel", but if you actually see the cartoons, you'll find a rich history of great filmmaking. The problem is, the Terry cartoons have been out of circulation so long, most animation fans have forgotten (or never knew) how great the studio once was.
Okay, I stand corrected. I guess I'd like to see more.
I'd like to re-iterate my call for some of the original Felix the Cats though. I have literally NEVER seen one, nor do I know anyone who has.
I think that this film may be even more historically noteworthy than you realize. According to Joe Barberra's autobiography this was first cartoon he "had a hand in creating from the beginning". He developed it with Jack Zander and Dan Gordon in the evenings and then they lobbied Paul Terry until he finally let them make it.
The print appears to be from a 1950's era reissue. The 50's Terrytoons logo is present. At the time of this cartoon's original production, Terrytoon cartoons were still being handled by Educational Pictures for release through 20th Century-Fox.
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