Photo: Walt Tickling The Ivories

My sister in law sent me this fun picture she clipped for me from Santa Barbara magazine...


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Meta: Words To Live By

This comment was just posted at Cartoon Brew by cartoonist, Eddie Fitzgerald. These words should be carved in marble and hung in the halls of every animation school in the country...

Cartooning is in trouble, not just animation. Look at what’s in the newspapers these days. Where are the comic books, the mass market sports and theater caricatures, book illustrations, etc.?

I simply refuse to let cartooning die on my watch. An artform that’s roughly 160 years old, that has a great tradition, and which is so artistically satisfying and so cheap and accessable to the common man, shouldn’t be allowed to wither on the vine. Losing cartoons and cartooning is like losing dance or music or architecture.

Cartoonists who came before us kept the industry alive and healthy for us, now it’s our responsibility to keep it alive and healthy for the people who come after us. --Eddie Fitzgerald

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Illustration: Kay Nielsen- Twelve Dancing Princesses

This post is just the tip of the iceberg... see reason number 6 on our The Top Ten Reasons To Support The A-HAA for links to more great posts about golden age illustration.


Kay Nielsen was born in Copenhagen, Denmark in 1886. His first success as an illustrator came with the book we digitized for inclusion in our media database today... "The Twelve Dancing Princesses". Nielsen differed from his contemporaries, who were steeped in the European tradition, by following the lead of artists from the art nouveau movement like Aubrey Beardsley, as well as Persian and Asian art.

Nielsen's interests shifted from book illustration to design for the theater; and in 1936, he was brought to Los Angeles to design a production at the Hollywood Bowl. He decided to join the Disney Studios as a concept artist and made a significant contribution to "Fantasia". In fact, you can see early precursors of the designs for the Pastoral Sequence in a couple of the illustrations from "Twelve Dancing Princesses" below.

The ASIFA-Hollywood Animation Archive was fortunate to obtain a first edition of "Twelve Dancing Princesses" to digitize. The vivid colors and sharp details in this vintage book do justice to Nielsen's genius better than the fuzzy, faded reproductions in later collections do.

Nielsen's pen and ink drawings are just as beautiful as the color illustrations. If you would like to see all the images from this book, stop by the ASIFA-Hollywood Animation Archive anytime during office hours.












For more beautiful illustrations by Kay Nielsen, see Twelve Dancing Princesses and East of the Sun and West of the Moon.

See also, Arthur Rackham's Grimms Fairy Tales, Edmund Dulac's Edgar Allen Poe, Dulac's Tanglewood Tales, Gustaf Tenggren's Wonderbook, Monks By Eduard von Grutzner, N. C. Wyeth's Legends of Charlemagne, Maxfield Parrish's Arabian Nights, Frank Reynolds Paints Pickwick, and John Bauer's Bland Tomtar Och Troll

Thank you
Stephen Worth
Director
ASIFA-Hollywood
Animation Archive

5.13.08
.

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Illustration: Gustaf Tenggren's Little Trapper

This post is just the tip of the iceberg... see reason number 3 on our The Top Ten Reasons To Support The A-HAA for links to more great posts about Golden Book illustrators.


Gustaf Tenggren was born in Sweden in 1896. Throughout the 1920s, he illustrated children's books and fairy tales in a richly detailed style similar to Arthur Rackham and Kay Nielsen. In 1936, Walt Disney brought Tenggren to Hollywood to work on Snow White & the Seven Dwarfs. His designs for the Dwarfs' cottage and the forest were directly incorporated into the film by the layout artists.

The experience of working at Disney changed Tenggren's artistic outlook. He abandoned the European illustrator style for a simpler, more direct, stylized approach. He illustrated the most iconic Golden Books... The Poky Little Puppy, The Saggy Baggy Elephant, The Shy Little Kitten and The Tawny Scrawny Lion, and he continued to paint for Western Publishing until his death in the early sixties.

Tenggren's Golden Books are exemplified by bold, clear compositions; a harmonious use of color and masterful rendering of a variety of textures. This book, The Little Trapper, is one of Tenggren's least often seen titles. Published in 1950, several years before DIsney's Davy Crockett popularized the coonskin cap, this book includes some disarmingly beautiful paintings.











For more incredible illustration by Gustaf Tenggren, see Gustaf Tenggren's Tell It Again Book, The Genesis of the Golden Book StyleD'Aulnoy Fairy Tales and The Good Dog Book, Tenggren's Grimms Fairy Tales Part One and Part Two, Heidi, Wonderbook and Juan & Juanita, Sing For Christmas, and Small Fry and the Winged Horse.

See also... Einar Norelius' Bland Tomtar Och Troll 1929 and 1934, John Bauer's Bland Tomtar Och Troll 1917, More Norelius and Bauer, Arthur Rackham's Grimm's Fairy Tales Part One and Part Two, Kay Nielsen's East of the Sun and West of the Moon and Hansel & Gretel, Dulac's H.C. Andersen Part One and Part Two.

Stephen Worth
ASIFA-Hollywood
Animation Archive

5.12.08
.

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